THX Ultra
I am sorry
to have to admit that I have been stupidly duped into buying a
THX
Ultra certified preamp to use as the audio video switching center for my
home theatre system! I was stupid
because I allowed myself to be too easily convinced that
THX
and all it stood for was above suspicion and it never occurred to me that the
evil Darth Vader was there lurking in the shadows waiting to cross me! In the early days
of THX during the
early 1990's,
the work they did to mix film soundtracks on Laserdisc with some real thrilling
deep bass was totally fantastic and I have been enjoying it for years with my
vast collection of discs, so whenever I see the
THX
logo on a disc, I know there is no
need to doubt the sound quality! When it came to setting up my most recent
system at Chester River, I clearly
wanted to keep my varying collection of power amps like the
Velleman K4000 and
Technics SE-A5 etc, so I needed a
preamp/processor, not a receiver. It looked like choosing a high quality
top of the line preamp/processor like the
Marantz AV-9000 with THX Ultra to boot was a no-brainer!
Marantz AV-9000
The
Marantz AV-9000 Preamp/Processor
was first available in June of 1999 and I bought mine at the end of 2001 and the
unit has received many good reviews like
this. This is what
Marantz have to say about it:
The Marantz AV-9000 sets a new standard in home theater control
center performance and flexibility. The THX Ultra certified AV-9000 includes
Dolby Digital, DTS and THX post-processing and 96kHz/24-bit audio capability for
total surround sound versatility. It offers a vast complement of high-end
performance and convenience features that make it the ultimate control center
for the most advanced home theater systems.
FEATURES:
Dolby Digital and DTS surround sound decoding, plus Dolby Pro Logic decoding and
a variety of additional surround modes
THX Ultra post-processing
96kHz/24-bit D/A converters and 24-bit A/D converters for exceptional audio
quality
Component video switching
Six-channel direct inputs
Gyro-Touch tuning with digital tuner section, 30-station preset memory and a
station naming function
Multi-room capability with independent control of a second room audio and video
system
Special version of the RC2000 Mark II Programmable Learning Remote Control
included
Wide variety of additional audio and video inputs, outputs and switching
facilities, including S-video and composite video switching, coaxial and optical
digital inputs and outputs, and a full selection of audio inputs
Premium-quality parts and construction
Copper-shielded HDAMs (High Definition Amplifier Modules)
Fluorescent front panel display and user-friendly on-screen menu system
Hmm.., all sounds very
impressive, so after connecting up the system I gleefully settled down to listen to my
new preamp/processor with my latest CD at the time which was
"Trouble in
Shangri-La" by Stevie Nicks, which I had been listening to over & over the whole
week on various systems,
so I knew how it was supposed to sound. Trouble!
No shit!
Well there's damn well trouble now and it ain't in Shangri-La!!! What the hell has happened to my
beautiful sounding stereo system? It sounded like there was a big block of
sound just missing from the bass, as if the subwoofer wasn't even working, yet it
was
working for deep bass? What has happened? I just spent $1400 on this
THX
Ultra
box?? As the previous system was working with the
subwoofer receiving a
full range signal from the Pioneer SP-700D processor, I assumed that the
subwoofer crossover frequency was just set too low for my particular
system/taste although my subwoofer was in fact set to provide a second order low
pass Butterworth response with a corner frequency of 80Hz as shown in blue in
the graph below and described in detail
here. I started to go through the menus on the
Marantz AV-9000 looking
for the setup for the subwoofer crossover frequency to see how it was set.
Hmm.., I have more menus on my TV and the subwoofer setting was nowhere to be
found? To my utter dismay, I later found that the
THX Ultra specification
requires that the subwoofer crossover frequency be set to 80Hz with a
fourth order Linkwitz Riley response falling at 24dB per octave and its
NOT ADJUSTABLE!!! Ahhhh!!!! Can someone please explain to
me how some idiot sitting in an office in California (yes I'm talking about you
Lucas) can dictate to me how my speakers need
to be combined with
active crossovers in my house to please my ears while listening to
stereo music? I'm not watching a
THX
movie here!! I'm trying to listen to a CD for gods sake!! So it appears that no matter
what input or sound field the
Marantz AV-9000 is set to, it must always obey the
Lucas law dictated by the evil Darth Vader in order to bear the prized
THX
Ultra mark. Well as far as I am concerned, you can take your
THX
Ultra and stick it! No only dose it cause this problem with stereo music,
it dictates that you are not allowed to alter the general bass & treble
settings which you often need to for non
THX
films. Also as far as I can see, the stupid echo effects that the
THX
Ultra processing adds, have no value what so ever and the film soundtracks sound
cleanest & best with just the plain Dolby Digital or DTS setting on the
Marantz
AV-9000. So at least that annoying feature can be turned off! It's not
clear to me who is most stupid of all in this case?
Marantz for building
the AV-9000 to THX standards and
then paying THX to certify it, or
me for paying
Marantz to do all this just to annoy me?
Just in case you
don't know why Darth Vader is here, THX
was founded in 1983 by George Lucas, the creator and producer of all the
Starwars films.
The Detail of What is Missing

The red, green and blue lines on this graph are from my subwoofer design and
are described in detail
here. The blue line is in fact the overall response of my
subwoofer.
I added to the graph a yellow line that shows the 80Hz fourth order Linkwitz
Riley response falling at 24dB per octave as implemented in the THX
defined subwoofer low pass filter of the
Marantz AV-9000. As you can see,
there is a white area of sound that used to be reproduced by the
subwoofer that
is now cut off! This is what I would describe as a region of mellow tones
that while not deep bass, still benefit from the extra gain of the active
subwoofer. The assumption made here by THX,
is that the main front speakers are assumed to be matched to the THX
standard and will therefore be handling this particular area exactly. Well
I'm sorry, those THX or THX/Small
speakers as they are described on the Matantz AV-9000 menu do not reproduce this
area properly for stereo music. Only very very large speakers like my
JBL SVA-2100's or
Technics SB-M1's can achieve this, but I want
to use my Quad ESL-63 speakers for my front
system because they have the best sound, and yes I know they don't have the best
bass WHICH IS WHY I HAVE A SUBWOOFERRRRRRRRRRRRRR!!!!! This and various
other interesting subwoofer issues are described
here.
The solution to the problem
As by the time
that I had found all this out, it was too late to return the unit
to the dealer, and the only apparent way to solve this issue (apart from reverse
engineering all the DSP firmware in the AV-9000) was to
modify the subwoofer so that it has four
line level inputs that can be mixed together from the left, right, center and
subwoofer channels of the AV-9000. This then forms a full range mono signal that I can
then filter as I wish. For most ordinary people even this solution is
impossible, so I can only presume that those other owners of such THX
equipment either A: Have full blown THX
systems that really do work (unlikely as far as I can see judging by the size of THX
certified front speakers that I have seen), B: Do not know enough about their
own ears to notice anything, or C: simply have less sense than money?
Other AV-9000 issues
Well as you will know by now, I am no great AV-9000 fan and there is still
more trouble to come! What else could possibly be wrong with a $1400-00
receiver that has no amplifiers? I mean what else is there in there
anyhow? Well of course there is a load of audio, video and digital
switching and of course the Digital Signal Processing systems and the
microcontroller that controls the whole thing. All this stuff works great
except for one part: The setup data that stores the system settings like
which digital
input is associated with which device and the various speaker settings (except
for the subwoofer crossover of course!) is not reliably saved in nonvolatile
memory. In other words, on random occasions (usually after a power cut) it
forgets everything! It no longer knows which input is which and all the
delay and level settings for the speakers are lost! This is utter crap!
I can literally build my own embedded systems
by etching the circuit boards in the kitchen sink and make systems that have
been able to save their config data for over a decade with no trouble!
When this happens, I have to sit there and go through every config menu and
re-setup everything before the system will work! The on screen menus that
are provided are of a low standard and are similar to the kind of thing you
would find on a Pioneer Laserdisc player more than
fifteen
years ago; that is simple white block graphics on a blue background and the
navigation provided on the remote is nothing short of annoying! I have
actually had people comment on this page asking how to get to this sub menu or
that... The menus
are shown at the bottom of this page. The VFD
display
that is mounted in the center of the front panel is of a custom design (like
Pioneer often do) but does not have a proper dot matrix display for displaying
text and so the different characters displayed often do not have a matching
font, again this makes it look either cheap or very old! Just look at the
X in THX as shown on the display above. A much better solution would be to
use a modern generic VFD like those made by
Noritake
and this is what Harman Kardon
do. Also, even though you can select which digital input is used for which
selected input, you can't configure what the display says for each. As I
have two CD players connected, only one of the inputs says CD, the other one I
use has to say "Tape" even though it is on digital input 2. Things like
this just add to the confusion for anyone who does not know how the system is
connected (everyone in the world except for me). Last but not least is the
annoyance of the rear left output never quite making contact for more than an
hour with the RCA plug that is inserted there no matter how fancy and how gold
plated the plug is. One day I'll just have to take the thing out and find
where the dry joint is.
Click here to see the AV-9000 service manual and find out what's inside....
Conclusion
At
the end of the day, I find that I have negative, both hardware and software
issues with the AV-9000 design and because of this, I will probably never buy
Marantz
again and therefore I can not recommend it to anyone especially as it is the
most expensive item in my system apart from my
Quad electrostatic speakers and my
Sharp DLP projector. Having said that, I have at least been able to
get it working and as long as the configuration memory is working, the rest of
the hardware is very good although there aren't enough digital inputs.
This means that I have nowhere to plug in the PCM output from my Pioneer
DVL-919E laserdisc player which prevents me from playing DTS encoded laserdiscs
without moving some plugs, although I only have two such discs. If
the memory fails completely, I'll have to see if I can modify it with a lithium
battery backup or whatever. One useful feature is that the bass and treble
can be nudged up or down (as long as you remember to turn off that THX crap!)
via the remote as can of course the volume. My
PCRemote application uses
this to adjust the tone and level of each CD being played to match that of a
reference CD. This makes it easy for PCRemote to adjust the sound with
only a few remote control commands while a particular CD is being loaded.
One of my fears of replacing the AV-9000 would be the loss of this feature.
On my previous Pioneer SP-700D (like an Elite SP-91D), stepping through the
equalizer values was arduous even for PCRemote because of the time it took
although it too did work! I am told that the RC2000 remote control
provided with the AV-9000 is one of the best there is, but I never use it as all
that stuff is done by PCRemote for me in my main system. I did try using
it over at our condo, but quickly found that it could not record from the remote
of my Samsung projection TV and it had very limited macro capability, so I
locked it away in a draw where it belongs! As far as I can see, buying any high end
processor is always going to lead to firmware issues be it related to DSP
programming or control & usability issues. Even if you have a unit that
can be upgraded via a serial port, it doesn't guarantee that the manufacturer
will provide a useable upgrade for you. For this reason I will probably
keep the AV-9000 until I have time to make a processor of my own. With
chips like the
Ti TAS3004
and others that have blazing performance and cost just a few bucks, it looks
like that will be my next processor project! At least the memory will
never fail, I'll have a great display and I will always be able to control it
how I like! Hmm..., that AV-9000 would sure make a nice casing for the
project! Anyone want the old guts? The current Marantz offering of
today is the
AV-8003 which somehow sounds like a backward step, I guess they just weren't
ready for the big leap to the AV-10000! Again, only enough digital inputs
for a small system and at almost twice the cost of the AV-9000, I would expect a
Pentium class embedded system with an electric-sex touch screen interface...
At
least it has what looks like a
proper dot matrix display and an RS232 serial port to control it saving the need
to drill a whole in the back to fit an IR sender for PCRemote,
but I just can't stand the thought of all the inevitable firmware issues...
Yes, that's right... I still have the old AV-9000 running... Only
another ten years to go to get the value out of it...
Pictures & Reference
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